khatereh Sobhanian; Mohammad Javad Safian
Abstract
Human life is inevitably linked with the environment and nature. Water, air, food, etc all are guarantors of the survival of human life and activities on earth. Humans reside on the earth, and so their dependence on the earth and other beings is supposed to be all other proportions of them. But mostly ...
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Human life is inevitably linked with the environment and nature. Water, air, food, etc all are guarantors of the survival of human life and activities on earth. Humans reside on the earth, and so their dependence on the earth and other beings is supposed to be all other proportions of them. But mostly the relation gradually ends up neglecting one side, the environment, and using it as a resource in favor of human on the other side. This relation is based on the dominant thinking of the subject-object and neglect of other environmental values. The continuation of this situation will seriously damage the life of the earth and all beings. Martin Heidegger, a contemporary German philosopher who considers the history of Western thought as a history of neglect of being, believed that the deep roots of the current human relationship with nature and environmental crisis are in the particular perception of beings according to which beings are considered as mere human’s objects for domination of them. Heidegger considers such a relation to beings and the whole of nature as a subjective relation and attempts to solve the problem by means of the question of being and dwelling in the earth on the basis of friendship and the negation of dualism.
Monireh Naderi; Mohammad Javad Safian; Hossin Ardalani
Abstract
Freud's approach toward understanding art is limited to some factors. He overemphasizes the neural aspects of artistic experience. His analysis of artists, to a great extent, depends on his need to expand and indicate the psychoanalytic theory he was working on. He confessed that he failed to confront ...
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Freud's approach toward understanding art is limited to some factors. He overemphasizes the neural aspects of artistic experience. His analysis of artists, to a great extent, depends on his need to expand and indicate the psychoanalytic theory he was working on. He confessed that he failed to confront art's official and technical aspects, and psychoanalysis has not yet been able to realize the artist's intrinsic "secret" and "mysterious ability" in creating a work of art. Freud investigated the artist's individual unconscious for the origin of creating a work of art. Freud's view of art can be seen as a continuation of the modern aesthetic view of art and at the same time expresses its criticality. We are faced with a different approach to art and the beginning of a work of art. In this approach, Heidegger sees the beginning of the work of art as separate from the artist and his personal life and tries to connect art with the truth. On this basis, he gives a new interpretation of art. This study explored the foundations, components, and assumptions of psychoanalytic interpretation of art. According to Heidegger, one of the places where truth is realized is in art. Moreover, based on Heideggerian thought on art and poetic thought, this study examined the strengths and weaknesses of psychoanalytic interpretation of art and attempted to explore the relationship between art and truth in psychoanalytic interpretation and Heidegger's interpretation of art.
